My New Books Are Now Available For Pre-Order

Greatest Hits: An Anthology in Four Volumes

Pop Life

Zen Arcade: Classic Video Game Reviews

Good news, everybody! I am happy to report that my new books are now available for pre-order on Amazon. Launch Day is this coming Tuesday, November 21. All three titles will be available in ebook and paperback. Simply click on the cover images to go directly to the Amazon pages, where you can pre-order the titles for your Kindle apps and ebook readers.

For "launch week," all three ebooks will be available for only 99 cents. This is a sale that will last from now until November 26, after which they will return to their normal prices.

The paperback editions will be available on November 21 for $19.99. Each book is 6" x 9" and ranges from 350-450 pages. These are big books.

Enjoy the new books, and happy pre-ordering!

Ghibli Fan Posters: Nausicaa of the Valley of Wind, Porco Rosso

Ghibli Fan Posters: Nausicaa of the Valley of Wind, Porco Rosso

Here are a pair of excellent fan-designed movie posters for two of my favorite Hayao Miyazaki movies, Nausicaa of the Valley of Wind and Porco Rosso. I really enjoy these designs, which incorporate an indie comic book style. Nausicaa evokes the surreal images of the Ohmu shell, with the title character seated near the eye and the toxic fungus. Porco Rosso evokes the myth and mystery of its central character, a legendary pilot who has renounced his humanity.

Poster designs like these always remind me of the way movie posters were made long, long ago. It was an established art form all its own, as movie collectors and fans will tell you. Once the conglomerates took over the major Hollywood studios, however, everything became subsumed by marketing hacks. Everything just became another crummy commercial. The age of Photoshop has been especially cruel. Movies can still be magical. Most of the time, however, they're nothing more than plastic, a disposable product designed for immediate consumption, discarded three days after opening. Meh.

I want classic movie posters again. Don't you? Of course, you do.


Mi Vecino Miyazaki Book Reaches 5th Edition

Mi Vecino Miyazaki Book Reaches 5th Edition

Mi Vecino Miyazaki Book Reaches 5th Edition

Mi Vecino Miyazaki Book Reaches 5th Edition

Mi Vecino Miyazaki, the excellent Spanish book dedicated to the films of Studio Ghibli, has now reached its fifth edition. This latest edition has been updated to include all the Ghibli movies released to this date, including The Tale of the Princess Kaguya and When Marnie Was There, The Red Turtle and Studio Ponoc.

In addition, the cover has been redesigned, keeping much closer to the follow-up book, Antes De Mi Vecino Miyazaki, as well as other animation books published by Diablo. I really like this design, it's very colorful and showcases all these wonderful movies in bold color and detail. The layouts have likewise been given a makeover, remaining as bold and inviting as ever, with generous use of screenshots and production artwork.

One unfortunate change, unfortunately, has been made to this book. In order to squeeze in the new chapters and updated content, authors Alvaro Lopez Martin and Marta Garcia Villar have removed the collaborators' contributions. These included short snippets from selected writers, including me. I sent them micro-reviews on several Studio Ghibli movies, and they published the piece on My Neighbors the Yamadas. That piece, and all the others, will no longer be available in the newest edition.

Combine these changes and additions to the new cover design, and it looks like the previous editions of Mi Vecino Miyazaki will become collectors' items. I hope you've already bought your copy so that you can show off to your friends in a few years.

If you haven't yet purchased this book, the latest edition of Mi Vecino Miyazaki is a must-have for all Studio Ghibli and animation fans. Highly, highly recommended.


Panda Kopanda and the Rainy-Day Circus on VHS

Panda Kopanda and the Rainy-Day Circus on VHS

Panda Kopanda and the Rainy-Day Circus on VHS

Panda Kopanda and the Rainy-Day Circus on VHS

This is a nice find from one of my recent Ebay searches: a Japanese VHS release of Panda Kopanda and the Rainy-Day Circus, the second of two Panda short films created by Isao Takahata, Hayao Miyazaki and Yoichi Kotabe. I'm surprised to see that both cartoons are not included on this tape, but such things were common back in the day. All the better to get more money from the parents.

Of the two Panda cartoons, I like this one more. They're both great fun, of course, but Rainy-Day Circus has a wide and colorful cast of characters, a bouncy tiger, a runaway train, and a massive flood. You can't beat that.

Panda Kopanda always seems to fall through the cracks: too short to be considered a "movie," not enough episodes to be considered "television." Not many Miyazaki and Takahata fans are even aware that it exists. But that's a challenge that time will solve, as it has solved that same problem for the Studio Ghibli catalog.

Remember that Panda Kopanda is available on DVD from Discotek. It's a solid release and belongs in your movie library.


DT Media: Check Out Our New Website

DT Media: Always worth a browse - indie publisher of print and digital media.

DT Media: Always worth a browse - indie publisher of print and digital media.

At long last, the DT Media website is now live! Please bookmark and visit.

DT Media is the name of my indie publishing label that specializes in the creative arts, including art, photography, books and zines. Our website features a pop culture blog, an Instagram gallery, and an ever-growing library of published books and zines.

This month, we will release three new books: Zen Arcade: Classic Video Game Reviews, Pop Life and Greatest Hits: An Anthology in Four Volumes. Please click these links to visit each title's page, which features cover art, book description, and selected chapters for browsing. These pages will continue to evolve in the coming days and weeks, as we will include review clips from readers and critics.

I've spent the last 18 months writing, editing and assembling these books. The covers are fantastic, the content is fantastic. Once the Amazon pages are up, I will write a formal post announcing all the details. Expect that to happen this week (cough, Thanksgiving).

As I've stated, DT Media also features a blog which will be filled with regular content. For now, I am publishing reviews and articles that also appear in the books, such as the Ponyo review as seen in the screenshot above. There will also be new content, so please check for regular updates.

Ghibli Blog will continue as always. As you can see, I've been working overtime since September to provide essential content for this site that you cannot find anywhere else: news, reviews, essays, fan art, and more.

As always, if you want to follow the latest news and developments at DT Media and Ghibli Blog, please subscribe to our newsletter. When you join, you will also receive a free zine that is totally awesome and will make you the most popular kid on your block.

Much thanks, as always, and thanks for your support.

Movie Review: The World of Hans Christian Andersen (1968)

Movie Review: The World of Hans Christian Andersen

The World of Hans Christian Andersen is the American title to the 1968 Toei Doga animated feature Andersen Monogatari ("The Story of Andersen"). It was released in the US in 1971 by United Artists, in partnership with the legendary Hal Roach Studios, who handled the English-language dub.

The movie tells the tale of a young Hans Christian Andersen, who meets a magical storyteller who arrives to Earth from Heaven in order to guide the boy and inspire his talents as a storyteller. As young Hans observes the lives of the villagers around him, we see the trappings of the fairy tales that would make him famous. There are cartoon mice, cats and dogs, as well as about a hundred song-and-dance numbers.

Personally, I am not a great fan of this movie. Of all the Hiroshi Okawa-era Toei Doga movies (1958-1972), The World of Hans Christian Andersen feels the most formulaic, the most cliched, the most, shall we say, Disney-esque. In every way, it is a stereotypical "family cartoon" with sing-along songs, simple characters, contrived plot points, and an overall atmosphere of suffocating niceness. The swelling strings of the orchestra are pure cheese. This is a movie very specifically made for very small children who would be easily distracted and amused.

What made the classic Toei movies so compelling is how they learned the lessons of Walt Disney without copying his movies. Instead, they learned to adapt their own folk tales and legends, learned how to incorporate a purely Asian flavor to their animated features. In time, the animators learned new ways of expression, and new paradigms emerged which eventually became "anime." This movie, however, represents a massive thrust backwards. It is nowhere near the level of Hakujaden, Saiyuki, or Little Prince and the Eight-Headed Dragon, Toei's best animated features up to that point.

Here's why I believe that happened. This movie was released in March of 1968, ahead of another Toei feature that was supposed to be completed and released earlier. It's name: The Great Adventure of Horus, Prince of the Sun, the revolutionary anime masterpiece directed by Isao Takahata and helmed by Hayao Miyazaki, Yasuo Otsuka, Yoichi Kotabe, Reiko Okuyama and Yasuji Mori. The battle to create Horus lasted the better part of three years, ran massively over-budget and severely damaged relations with the production staff and its labor union (of which Takahata, Miyazaki and Otsuka served leading roles).

To the studio bosses of the day, Horus was an albatross, a dark, brooding, violent mess that would almost certainly give children heart attacks. It might even scare them away from Toei forever, into the waiting arms of rival animation studios that were flooding television screens. Something needed to be done to keep that traditional audience in place, and to prevent them from fleeing.

I believe this is the reason why Andersen Monogatari was made. It is the safest and most "child-friendly" movie the studio had ever made. It was a purely defensive move against a feared backlash, to say nothing about recovering all that money that was being spent on Horus (which ended up being the studio's biggest box-office flop, but that was at least partly due to studio sabotage as anything).

Hans Christian Andersen is not a bad movie. It's just very uninspired and very, very "safe." It could have been assembled by committee, and very likely was. To be fair, all the studio's best talent was locked up with Horus, leaving very few skilled animators or artists available for anything else (Jack and the Witch, Toei's 1967 feature, suffered from the same problem). The animation is lacking any real spark or inventiveness, never straying from the instruction manual, it seems. The story lacks inspiration in its characters or setting.

In the movie's defense, I do enjoy the "Little Match Girl" story thread the weaves in and out and supplies the climax. Here, the movie seems to have found a proper balance, striking an emotional cue that is fitting to Andersen's stories. The movie ends on a strong note. It probably doesn't matter that before the year was out, Horus, Prince of the Sun would completely demolish it to rubble. The World of Hans Christian Andersen is like that act on The Ed Sullivan Show that came on stage just before The Beatles. Does anyone remember that guy? No, of course not. Which is precisely the point.

P.S. The World of Hans Christian Andersen was recently uploaded to YouTube, in the original Japanese, where one person noted that the movie's final 25 minutes syncs up perfectly with David Bowie's Low album. That gave me a chuckle. These are the sort of things that make me question if we're really living in The Matrix.

Artist Spotlight: Studio Ghibli Movie Posters

Studio Ghibli movie posters are a popular front for indie artists and designers to show off their skills, and we've seen many inspired designs that give the official studio posters a run for their money. I really enjoy this series, which features abstract takes on Nausicaa of the Valley of Wind, Kiki's Delivery Service, Princess Mononoke and Howl's Moving Castle.

I really like the minimalist, zen approach to these posters. The only text is the title, in Japanese, accompanying a single silhouette with additional details inside. This style appeals most to the fans who are already familiar with these movies. This is a luxury that movie studios cannot afford, as the rules of advertising dominate over art design. Overall, great job, and as always, I would like to see this series expanded to include more Ghibli movies, and even the pre-Ghibli works as well.

I could not find the name of the artist who created these pieces. If you can find the designer, please pass it along so that we can give them the proper credit.

Ghibli Recipes: Fish Casserole (Kiki's Delivery Service)

Ghibli Recipes: Fish Casserole (Kiki's Delivery Service)

Here is a novel addition to every Studio Ghibli collection: a fish casserole as seen in Kiki's Delivery Service. You'll have to click the image to view in full size so that you can read the recipe.

In Minnesota, dishes like this are extremely common. You can mix up any combination of pasta with meats, fish, vegetables and cheese. Macaroni & Cheese is always a popular choice, as is Meat & Potatoes. Feel free to experiment to your heart's content. Personally, I would just get rid of those olives on the top. Happy cooking!


Studio Ghibli Mii Characters

Studio Ghibli Mii Characters

Studio Ghibli Mii Characters

Studio Ghibli Mii Characters

Studio Ghibli Mii Characters

Nintendo created Mii Characters are player avatars for their home video game systems. They first appeared on the Wii in 2006 and continue to this day. Players can mix and match "Miis" and trade them with family and friends, and there options for creating characters is virtually limitless.

The Mii Characters fan website has been around almost since the very beginning, and they continue to post their creations and allow visitors to rate them (Nintendo once had an excellent Wii Channel called "Check Mii Out" that is, sadly, no longer available). And wouldn't you know it, there are some Studio Ghibli characters to check out.

At the present time, there aren't very many Ghibli Miis out there. I've had No-Face in my collection for years, which was fairly common. Hayao Miyazaki is new, as is Porco Rosso and Totoro, which is especially inspired. Great jaerb!

I really do wish I could download these to my Wii system, but as I've said, Check Mii Out was closed down by Nintendo, who have a notorious habit of killing successful ideas while endlessly repackaging and reselling the less successful ones (Pikmin, 3D Mario versus 2D Mario). I really don't understand their logic sometimes.

Oh, well. Enjoy these Ghibli Miis, and good luck recreating them for your Nintendo consoles.


Photos: Panda Kopanda and the Rainy-Day Circus (1973)

Photos: Panda Kopanda and the Rainy-Day Circus (1973)

Photos: Panda Kopanda and the Rainy-Day Circus (1973)

Photos: Panda Kopanda and the Rainy-Day Circus (1973)

Photos: Panda Kopanda and the Rainy-Day Circus (1973)

Here are some nice DVD screenshots from the 1973 short film, Panda Kopanda and the Rainy-Day Circus. This is the second of the two Panda cartoons made by Isao Takahata, Hayao Miyazaki, Yoichi Kotabe and much of the old Toei Doga crew. It's also the better one, more interesting and funny and visually diverse. This roughly-half-hour cartoon is packed with scenarios and funny situations.

I really do wish more of these little movies had been made, at least one or two more. However, time moves quickly, and only a year later, Takahata, Miyazaki and Kotabe unleashed Heidi, Girl of the Alps to blockbuster success, leading the anime revolution of the 1970s. They would unleash an unparalleled string of animated classics over the next four decades, barely catching their breath.

Panda Kopanda is a children's cartoon, and there are no pretensions otherwise. There are no complex deeper themes or preachy moral lessons, no cynical attempts to sell toys or merchandise. Thank Heavens for that. These movies are criminally underrated (a new English-language dub would help a lot), but at least they're available on DVD, courtesy of Discotek.

Little touches that I enjoy: the sight of a rural town massively flooded, a precursor to Miyazaki's own Ponyo; the shot of Baby Panda being chased by a sea of hands, again a precursor to the flashback scene in Nausicaa; a bumbling burglar voiced by Yasuo Yamada (Lupin); a runaway circus train, packed with animals, crashing through a town and stopping at the mayor's front gate. Everything is cheerful, everyone is having fun. What more can you ask for?


Bocanada: A Journal of Pop Culture and the Arts - The New E-Zine From Ghibli Blog

Bocanada: A Journal of Pop Culture and the Arts - The New E-Zine From Ghibli Blog

Bocanada: A Journal of Pop Culture and the Arts - The New E-Zine From Ghibli BlogBocanada: A Journal of Pop Culture and the Arts - The New E-Zine From Ghibli Blog

Bocanada: A Journal of Pop Culture and the Arts - The New E-Zine From Ghibli BlogBocanada: A Journal of Pop Culture and the Arts - The New E-Zine From Ghibli Blog

Have you downloaded your free e-zine yet?

Many years ago (longer than I care to admit), I created zines to nourish my love of writing and popular culture. I wrote about Star Trek and science-fiction, video games, music, art, and the ups and downs of daily life. They were created on simple desktop publishing software, word processors, and an assortment of clip art and marker pens. It was very low-tech, but highly enjoyable. I even managed to score some freelance writing work at GamePro, which was tremendous fun

Ever since then, I wanted to return to zines. I even had recurring dreams about finding an old computer with long-forgotten websites that were still active, and communicating with old friends. 21 years later, while working on my multiple book projects, I thought it would be fun to finally take the plunge again and create a zine that I could share with my readers and fans. And so Bocanada Issue 1 was born.

Bocanada: A Journal of Pop Culture and the Arts. That long-winded title means, simply, that I get to write about whatever the heck I want, but mostly aimed in the same direction as my writings on Ghibli Blog and the new books: Zen Arcade, Pop Life and Greatest Hits.

For Ghibli Freaks, this issue includes essays on Kiki's Delivery Service, Princess Mononoke and My Neighbors the Yamada. For classic and retro video game fans, there are reviews of Altered Beast (Genesis), Sonic the Hedgehog (Genesis), Bonk's Adventure (TG-16), Mega Man (NES), and Street Fighter 2 Turbo (Super NES). For music lovers, we have articles on Miles Davis' 1974 jazz-fusion album Get Up With It and Sony's PS-X75 Biotracer Turntable. Finally, we have an art gallery of zine-worthy graffiti works created by me back in 2002.

The cover image is another one of my artworks, a 2005 digital painting created entirely on computer. The title is an homage to Gustavo Cerati's 1999 album, a glorious mashup of trip-hop (remember that?), Radiohead's Kid-A and The Beatles. The pages are "half-size," meaning that they are standard 8.5" x 11" pages folded in half. The zine is 48 pages in total, which matches the output of my old zines perfectly (they were 245 pages at standard size).

Bocanada was created for both physical and digital formats. I find the half-size format works perfectly for tablets and even smartphones. The pages are very readable and neatly designed without becoming too cluttered or dense. I created everything on Scribus, a freeware tool, which I suppose would disqualify me in the eyes of many zine publishers -- it's not a "real zine" unless everything is created on a typewriter, scissors and markers. Whatever.

Bocanada is available as a "perma-free" download, meaning the digital version will always be free. All you have to do is join my mailing list. In addition to receiving the zine, you will also receive regular email newsletters that feature the latest news and developments from DT Media (my indie publishing label) and Ghibli Blog, including the new books!

When is Bocanada Issue 2 coming? Soon. I'm still very busy with releasing the books, assembling the new DT Media website, and doing the usual promotional work (translation: hassling everyone with review copies and appearance requests). If we can assemble and publish the second issue in time for Thanksgiving, I'd be thrilled.

As always, thank you very much for your continued support of Ghibli Blog.

P.S. I keep mentioning the new books: Zen Arcade, Pop Life and Greatest Hits. Well, the books are finished and ready to roll out! As for release date, availability and price...join my mailing list and I'll share all the answers in my next newsletter.

Update (10/4 8:23pm): Bocanada now has a new cover design! I like it a lot, and hope you will, too.

Artist Spotlight: Totoro Gothic by Katie Wu

Artist Spotlight: Totoro Gothic by Katie Wu

This is just too funny: Mei and Totoro recreate the famous painting American Gothic. It's one of the most parodied paintings of the modern era, and artist Katie Wu gives it a Studio Ghibli spin. Mei looks a little bit like a Peanuts character, which would have been even funnier.

You can find Katie's artwork and many others at the Fans of Studio Ghibli page on Facebook. There are countless drawings and illustrations by Ghibli Freaks of all ages and skill levels, and it's quite impressive. Good work, everyone!


Riffs: Lupin the 3rd, Future Boy Conan, My Neighbor Totoro

Riffs: Lupin the 3rd, Future Boy Conan, My Neighbor Totoro

Riffs: Lupin the 3rd, Future Boy Conan, My Neighbor Totoro

Riffs: Lupin the 3rd, Future Boy Conan, My Neighbor Totoro

Some years ago, I posted on this riff from My Neighbor Totoro, where Mei looks through a bucket, giving us this fascinating little camera shot. This bit was quoting an early episode of Future Boy Conan. To my surprise, I only recently realized that this shot originated in the 1971-72 Lupin the 3rd TV series, from one of the episodes directed by Hayao Miyazaki and Isao Takahata.

Hayao Miyazaki always likes to recycle certain gags and shots. It's what makes exploring his films and TV series so much fun. There are Easter eggs scattered everywhere. Why is this still such a mystery? Hardly anybody in the Ghibli fan community every talks about this. Perhaps we still need to spread the word of the pre-Ghibli era. Once you've seen Horus, Lupin, Heidi and Conan, your eyes will pop out of your heads.

Lupin the 3rd: Series One is currently available on DVD in the States, courtesy of Discotek. When is somebody going to license Future Boy Conan, already? What exactly are we waiting for?

Photos: Nausicaa of the Valley of Wind

Photos: Nausicaa of the Valley of Wind

Photos: Nausicaa of the Valley of Wind

Photos: Nausicaa of the Valley of Wind

Photos: Nausicaa of the Valley of Wind

Here are some excellent screenshots from the Blu-Ray release of Nausicaa of the Valley of Wind. As is the case with nearly all animation, the BD format is a dramatic improvement over the older DVD format. Colors are sharp and vivid, picture is free of pixelation and compression artifacts, and audio is perfectly lossless, rich and booming. Years ago, I remember finding an ancient VHS rip that was worn down to the bones. The colors were washed out (leaving many to speculate Nausicaa wasn't wearing pants), and the screen was so dark you could barely make out anything. It was still a mesmerizing and mind-blowing trip.

I've argued for many years that Nausicaa was the movie that saved Hayao Miyazaki's career. Its success, both commercially and creatively, led to the founding of Studio Ghibli and three decades of worldwide acclaim. It's hard for today's younger fans to imagine just how hard the director struggled in the years directly preceding this film. The period of 1978-1983 was especially difficult for Miyazaki, who struggled with mainstream success in Japan, even while creating such masterworks as Future Boy Conan, The Castle of Cagliostro and Sherlock Hound. It's baffling that these titles weren't hits at the time.

Nausicaa was the great vindication, the overwhelming proof of Miyazaki's talents as a director, animator and storyteller. He no longer had to rely on the memories of Toei Dogs or Heidi. He no longer had to be thought of as "Paku-san's Junior Partner." He was a star in his own right.

This is a great movie, dynamic and exciting, filled with complex ideas and complicated characters. Its tone is deadly serious, aside from a few gags scattered here and there. You can see the obvious parallels to Horus, Prince of the Sun and Conan, but there is a new maturity on display. Here is a movie with ideas and questions that wisely avoids easy answers. Indeed, Nausicaa seems determined to leave us with questions. It makes sense, given this was still an ongoing manga comic serial at the time. Even Miyazaki didn't know where he was going. But he was definitely going places, as we know today.

New Studio Ghibli Blu-Ray Movies: Nausicaa of the Valley of Wind, Castle in the Sky

Studio Ghibli Blu-Ray Movies: Nausicaa of the Valley of Wind, Castle in the Sky

Studio Ghibli Blu-Ray Movies: Nausicaa of the Valley of Wind, Castle in the Sky

On Tuesday, October 31, GKIDS released their "second wave" of Studio Ghibli Blu-Ray/DVD titles: Nausicaa of the Valley of Wind and Castle in the Sky. Both titles are part of the studio's catalog reissue series and will continue into early next year.

These titles are important for die-hard Ghibli Freaks. Both Nausicaa and Castle in the Sky were released by Disney some years ago, but with annoying issues such as English title burn-in (Nausicaa) and "dubtitles" (Castle). Hopefully, GKIDS has solved these problems, but at the time of publication, I was unable to confirm or deny any changes in the new versions.

Let's cross our fingers and hope that these new reissues have proper subtitles and title credits. That would make these titles a must-have for all fans. Stay tuned.

Update (11/4/17, 9:17pm): It has been confirmed that Nausicaa has clean credits, and Castle in the Sky has proper English subtitles. Thanks to our friends on Reddit for the confirmation. Now buy these movies!

Tokyosaurus Talks The Next Hayao Miyazaki Movie

YouTube channel Tokyosaurus has posted a short video describing the details of Hayao Miyazaki's upcoming feature film, "How Do You Live?" Regular visitors to Ghibli Blog will already be familiar with the details, as we have reported on Monday. There is a short look at the book on which the movie is adapted, some speculation on how Miyazaki will adapt it to his tastes, and expectations on when it will be completed, or even if the director will still be alive.

As always, it's far too soon to speculate on anything, and we should not expect to hear many announcements from Studio Ghibli during production, which formally began in October.

The final, "final" Miyazaki movie? Well, maybe. Then again, maybe not. The only deciding factor is how much time he has remaining. Let's hope and pray that God gives us all a little more time together. You already have John Lennon, Jimi Hendrix, Prince and Bowie! You can wait for Miyazaki for a little longer.


Artist Spotlight: Hipster Totoro

Artist Spotlight: Hipster Totoro

Today's Artist Spotlight is a charming little illustration I found online. It's none other than "Hipster Totoro," or maybe "Indie Publisher Totoro." He looks just like me, except for that coffee (I had to give up coffee a year or so ago).

I remember a couple years ago when "Hipster Ariel" became a rolling internet meme. I can't see why Hipster Totoro couldn't work just as well. I'll just post this image here and leave you to create the funny wisecracks.

Unfortunately, I don't know the artist who created this piece. If you find him or her, be sure to send your thanks. Great watercolor design!


Hayao Miyazaki Announces Title For His Next Movie

New Hayao Miyazaki Movie: Kimitachi wa Dou Ikiru Ka

This weekend, at the opening of a Natsume Soseki (Botchan, I am a Cat) memorial at Tokyo's Waseda University, Hayao Miyazaki discussed his upcoming movie project, revealing its title: "Kimitachi wa Dou Ikiru Ka?" The direct translation is "How Do You Live?" and is also the title of a 1937 children's book by Japanese author Genzaburo Yoshino. It is believed that the movie will be an adaptation of that book.

It was also recently revealed that Miyazaki's felt motivated to create a movie as a personal statement to his grandchild, as a final story to remember his grandfather. It is also known that the director felt inspired to return to feature film directing while working on his Ghibli Museum short film, Boro the Caterpillar. Once again, retirement does not suit him.

"Kimitachi wa Dou Ikiru Ka?" is currently under production, and is expected to last three or four years. It was originally hoped to be completed in time for the Tokyo Olympics, but that deadline has since proved impossible. Miyazaki's age was no doubt a major factor. Let us hope he remains healthy enough to create one more masterpiece!

Thanks to Crunchyroll and Kotaku for this morning's news scoop.


Artist Spotlight: My Neighbor Totoro by Louise Terrier

Artist Spotlight: My Neighbor Totoro by Louise Terrier

Artist Spotlight: My Neighbor Totoro by Louise Terrier

Artist Spotlight: My Neighbor Totoro by Louise Terrier

These excellent watercolor paintings were created by French artist Louise Terrier. She created a series of artworks dedicated to the movies of Studio Ghibli, including My Neighbor Totoro, Kiki's Delivery Service and Howl's Moving Castle.

According to an article on Demilked, Terrier was inspired to create since early childhood, when she was encouraged by her parents. “When people ask me: where does that creative energy come from? I would say I don’t know! But it’s just a part of me, like my nose in the middle of my face! Even though my studies take the most part of my time, the pleasure to paint never leaves me.”

These watercolor paintings are absolutely spectacular. I wish I had a studio space where I could just cut loose and create wild colors like these. I'm a great fan of vivid color tones and expressionist brushstrokes, which these Totoro pieces have in spades. The compositions are also quite excellent, taking advantage of the picture frame to emphasize emptiness and action, movement and stillness. There's also something of an Asian style in the compositions, a use of flat planes instead of the Western "vanishing point". It fits the subject matter perfectly. Terrier's other Ghibli paintings are equally impressive, and I highly recommend you check them out.

As always, if you know of any other artists who you'd like to see profiled in out "Artist Spotlight" series, please send a message, including a link to the artist's website. Much thanks in advance.

Hipster Miyazaki Hated Weinstein Before It Was Popular

Hipster Hayao Miyazaki

Hipster Miyazaki would like you to know that he hated Harvey Weinstein long before it became popular:

In 1997 the director signed a distribution deal with Disney. It was to prove a springboard to global renown, paving the way for a dedicated exhibition at New York's Museum of Modern Art and helping him secure the 2003 Oscar for Spirited Away. Even so, the nature of Miyazaki's films has been tweaked in transit. In Japan his films are blockbusters the whole family can enjoy. In Britain and the US he remains a predominantly adult, art-house phenomenon.
Miyazaki taps a cigarette from a silver case. The Disney deal suits him, he explains, because he has stuck to his guns. His refusal to grant merchandising rights means that there is no chance of any Nausicaa happy meals or Spirited Away video games. Furthermore, Disney wields no creative control. There is a rumour that when Harvey Weinstein was charged with handling the US release of Princess Mononoke, Miyazaki sent him a samurai sword in the post. Attached to the blade was a stark message: "No cuts."
The director chortles. "Actually, my producer did that. Although I did go to New York to meet this man, this Harvey Weinstein, and I was bombarded with this aggressive attack, all these demands for cuts." He smiles. "I defeated him."

The Making of Mary and the Witch's Flower

This 40-minute documentary goes behind the scenes at Studio Ponoc to chronicle the making of their debut animated feature film, Mary and the Witch's Flower. Narrated by Hana Sugisaki (the voice of Mary) and Hiroko Kimata, this program follows producer Yoshiaki Nishimura and director Hiromasa Yonebayashi during the production and promotion of their film.

Expect a cameo appearance by Studio Ghibli founders Isao Takahata and Toshio Suzuki near the end, as the finished movie is shown to Yonebayashi's mentors (Hayao Miyazaki declined to attend, but gave Mary and the Witch's Flower his thumbs-up). All parties involved see Studio Ponoc as the child of Ghibli, and wish for its success. The movie went on to moderate success at the box office; hopefully that was enough to convince investors to support more features (four short film projects are currently in production).

This video does include English subtitles. I wouldn't at all be surprised if this is included as a bonus feature on the inevitable GKIDS Blu-Ray/DVD.


Riffs: Lupin the 3rd, Nausicaa of the Valley of Wind

This first screenshot comes from the Lupin the 3rd Series Two finale, Farewell, Beloved Lupin. It features a heroine in blue who controls a giant robot and is forced to commit crimes against her will. This is an interior shot of Maki Oyamada, the heroine, operating the controls inside the flying robot.

Hayao Miyazaki was a fan of these kind of interior airplane shots. This specific shot appears to be quoted directly in Nausicaa of the Valley of Wind, which features a later incarnation of the director's iconic heroine. Both characters are also voiced by Sumi Shimamoto, further adding to the connection.

The giant robot, of course, is a tribute to the classic Fleischer Superman cartoons, and would later be revised into the giant robots in Castle in the Sky, as well as the God Warriors in Nausicaa, and especially the character of Ohma in the Nausicaa books.

Original Mediallion Used for Princess Mononoke Poster

Original Mediallion Used for Princess Mononoke Poster

Original Mediallion Used for Princess Mononoke Poster

A Reddit user named "ghiblithroway" shared this very rare item: a medallion used as the model for the US movie poster for Princess Mononoke in 1998. According to the owner, this sculpture was commissioned by Studio Ghibli for the poster design, and stayed with its creator until finally given to him some time later.

The sculpture is made of plastic, and given a nice bronze finish. It is roughly eight inches in diameter.

I wrote about this poster design years ago, and revised the article for inclusion in Bocanada Issue 1. It's a fascinating attempt at branding for the US release of Mononoke, which was later revised to feature the male lead, Ashitaka, instead of San. You are free to debate which poster suits the movie better. Or you can just pile the blame onto Harvey Weinstein, who deliberately tanked the picture as revenge against Hayao Miyazaki's refusal to allow any cuts.

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